Issa Rae long sleeve pullover t-shirt [Dopest Tees]
Suzana dress [Ulla Johnson]
Sting cuff bracelet [A.P.C.]
Athens, Georgia – Several rotations in of re-cycling the look I call – Eleanor. So perfect that I am listening to my copy of the Slaves of New York soundtrack…on vinyl. Oh, thank goodness. The oversized floral print shirtwaist dress – paired with everything else in this ensemble – is brunch-made. I’ve got on heavily patterned socks to add that extra spark to my feet in sensible block heeled slingbacks.
Gratuitous alliteration is maximalism. This lo-fi look was pulled together quickly and on the cheap. If you were looking for brand names, you aren’t going to find them here. [Pro tip: Load the breast of the dress up with cheap mis-matched rhinestone decorative pins – small, medium and large. If it’s cold out, throw a fur coat over the sweater. Think eccentric grandmother of 1968. If you weren’t alive then, dial up photos on Google Images. It’s a lost art, fer sure.]
I wear this outfit pretending I am quickly ushering in chilly temperatures and hearty faire. Truly, this outfit says: homemade chicken pot pie with a topping of crushed quaaludes. Yes, it does. And the music? It’s so good.
wine red oversized sunglasses with brocade gold details
gold metal eyeglasses chain with faux pearl accent
beige turban with rhinestone brooch
olive oversized floral printed shirtwaist dress with pussy-bow
1970s vintage evergreen knit cardigan sweater
gold lame slingbacks with rabbit fur puffs
Slaves of New York [Original Soundtrack] [Virgin/ 1989] – various artists
It’s well after Labor Day. I am wearing my current favorite white button-down shirt. Crisp yet a touch crumpled. I seriously suspect the fashion police will berate me on said wardrobe choice(s). A look that reads “preppy casual biz: 1978”.
The denim high waisted 1970s style gauchos I keep promising are going into retirement. I got my monies worth out of them. They are so comfortable and honestly my go-to jeans at the moment.
Above are the last shots from my recent visit to North Carolina. Saluting great weather and my amazing companion with a toast from me and a favored ale, Tartastic.
Good-day, Summer, 2017.
Athens, Georgia – Black. White. Color schemes. Go with the flow. Today selected vinyl for listening. One to rock me. One to groove to. One to melt into.
Bad Company’s debut album was chosen with fond memories of when I was a heavy listener of WFMU’s The Best Show. It’s great radio if you’ve never heard it and the album is straight up 70s beer drinking hard rock. Yoko Ono [like Zappa] is an artist which I’m finally able to listen to. I knew “Walking On Thin Ice”. I was perfectly fine with this [because it’s a phenomenal song] but now I need more. The full picture. I love Fly. Last but not least, Black Ivory’s Hanging Heavy. Great tracks, solid album. Bought it for “Mainline”, their 1977 underground Disco hit. Sampled by some [i.e., Deee-Lite’s “Power of Love”]. A dance until you are pouring in sweat production – if ever. Henceforth, my handfan. Crack + pop.
black + gold + white handfan
white marbled modern sunglasses
jet black vegan leather clutch
Fly [2017 re-issue/ Secretly Canadian] – Yoko Ono
Hangin’ Heavy [Arista/ 1977] – Black Ivory
Bad Company [Swan Song/ 1974] – Bad Company
Pedro Lorenco, Portugal based illustrator
oversized Wayfarer-style sunglasses with gold hardware
black chunky digital wristwatch
black Whiplash fringe necklace with gold accents
1980s vintage Vogue magazine hardshell clutch [Mister Ernest]
midnight black vegan suede lace-up platform boots
The Last Poets [Douglas/ 1970] – The Last Poets
Master of Reality [Vertigo/ 1971] – Black Sabbath
Monkey-Pockie-Boo [BYG Actuel/ 1970] – Sonny Sharrock